Immagine di copertina e all’interno della rivista Infiniti Mondi n°40, rivista bimestrale, Napoli giugno 2025.

Testo, tratto dalla rivista, “L’acqua e le forme”, di Massimo Tartaglione.

“Le opere di Simona Da Pozzo riprodotte sulle pagine di questo numero di “Infiniti Mondi” appartengono a tre progetti, realizzati dal 2014 al 2025″

“L’idea di una lenta discesa quasi a planare più che alla dinamica della narrazione, in questa configurazione, fa pensare a quella della ricognizione o della scansione, accentuata dall’asciuttezza del segno grafico o dall’assenza del colore, che tuttavia si anima attraverso la vibrazione di natura corpuscolare e per la fitta densità del tratto. Il filo che lega questa ricerca è l’acqua: elemento primario e promordiale, che nella sua essenzialità diventa segno di una manifestazione vitale e indispensabile del mondo della natura e insieme un prodotto pienamente umano, un oggetto culturale ricostruito nel racconto del mito o trattato con le più raffinate e avanzate tecnologie rimanendo pire alla fine semplice acqua. Si potrebbe anzi dire che è proprio la distinzione tra oggetto naturale e oggetto culturale a slittare e a rarefarsi di immagine in immagine. Le forme enigmatiche e quasi totemiche delle strutture spaziali rimandano agli avanzati processi di conservazione e recupero dell’acqua come tappe di un lunghissimo viaggio che ha nel suo diramarsi e svolgersi plasmato le valle e i costoni rocciosi che, in questi disegni, assomigliano a frammenti di ossa o di epidermide. Se le piante diventano enormi architetture organiche l’inversione di scala fa dei bruchi, visti con un’ottica macro, l’eleogio di una meravigliosa e quasi fantastica complessità. C’è indubbiamente una prospettiva di ordine politico in questa progettualità ma la sua forza si esprime con una serrata evidenza proprio in quanto manifestazione artistica”

Massimo Tartaglione

At the link you can find the first issue of the digital magazine intangib(i)le to which I had the pleasure of contributing a text and images part of my research Atlas dei Corpi.

intangib(i)le is a publishing project of L’Arsenale di Napoli, directed by Marco Izzolino and dedicated to intangible cultural heritage for a diffuse museum of the intangible. Year 1/2025, ed Alos Sas.

Al link potete trovare il primo numero della rivista digitale intangib(i)le alla quale ho avuto il piacere di contribuire con un testo e delle immagini parte della mia ricerca Atlas dei Corpi.

intangib(i)le è un progetto editoriale de L’Arsenale di Napoli, diretto da Marco Izzolino e dedicato al patrimonio culturale immateriale per  un museo diffuso dell’intangibile. Anno 1/2025, ed Alos Sas.

April 4th, meeting point at Piazza del Gesù, Naples at 10:45.

An action for a reading of the Corpo di Napoli Monument as an image of a multispecies relationship.

The action is part of Atlas dei Corpi and has been conspired together with: [Radical Public Culture], Il 4 di Maggio, Ensemble Le Scalze.

Jannuary 1st-9th

I’ve been in residency at Delphi_Space in Freiburg (Germany) to develop a new chapter of the Atlas of Bodies research.
I’m exploring water as a common good and an ecological space of coexistence.

The residency has been possible thanks to the 19th edition of nctm e l’arte Artists-in-Residence grant.

DELPHI_space is the context and the starting point for artist’s research, connecting her practice to local networks and communities planning workshops, actions, and public artworks presentation. DELPHI_space is an artistic platform for exhibitions and events in Freiburg im Breisgau. It has been presenting the work of regional, national and international artists since 2019. DELPHI_space also organises events in the fields of dance, architecture, film, philosophy and literature in cooperation with numerous partner institutions. The working method is based on the concept of the metaphorical bridge. Based on the historical site of Delphi, it connects cultures, disciplines and ways of thinking in the event spaces. Organised as a non-profit association, the work of the mainly voluntary team members focuses on cultural participation, interdisciplinarity and the artistic exploration of historical and contemporary issues.

1 December 2024 at 11 a.m., Libreria Palazzo Esposizioni, Rome
On Sunday I will take part in the talk presenting Book Recipes Artists Cooking, the book published by Corraini to which 80 artists contributed.

‘Among them,’ as Pietro Gaglianò writes, “are all of Scripta’s guests, together with beloved friends, assiduous visitors to the bookshop and its programmes, people who have passed through and who remain ever-present, together with others who have never been to BRAC but who, through virtuous or virtual ties, through friendship or affinity, form a fundamental part of its universe of art, books and words”.

For fifteen years, the BRAC bookshop in Florence has been combining good vegetarian and vegan cuisine and publishing dedicated to the languages of contemporary art. A formula that is an expression of the passions of the two owners, Sacha and Melisa: an imaginative chef specialising in vegetarian and vegan cuisine in love with comics and illustration and a bibliophile with an interest in contemporary art in all its forms of expression (art, theatre, dance, cinema, photography).

Since its opening in 2009 to date, BRAC has organised and hosted around 1,800 meetings and book presentations, and promoted and realised several festivals, events and exhibitions. This volume collects 80 recipes, born and served within BRAC, entrusted to the free interpretation of 78 contemporary artists.

27 NOVEMBER, Sala Grande of Gallerie d’Italia – Naples Intesa Sanpaolo museum from 4.45 to 6.00 p.m.

Presentation of the studies and round table discussion The Corpo di Napoli: a public dialogue between ephemeral and permanent, with Simona Da Pozzo (Visual Artist), Yasmine Rihahi (Research Fellow at the University for Foreigners of Siena) and Maria Gaia Redavid (Department of History Anthropology Religions Performing Arts, Sapienza University of Rome).

The talk is part of Storie in Movimento: Dialoghi e Percorsi sulle Vite del Patrimonio Culturale Diffuso, from 25 November to 1 December 2024. From an idea by Francesca Amirante | Curated by Nicola Ciancio (for Ex-Voto) | Scientific direction by Francesca Amirante | Promoted and financed by the City of Naples | Coordination and production Ex-Voto.

Following this meeting, will take place in addition:

The presentation Di fronte all’Antico, andata e ritorno: porcellane napoletane del Settecento e diffusione europea dei motivi pompeiani with Paola D’Alconzo (Associate Professor of Museology, Art Criticism and Restoration, University of Naples Federico II, Department of Humanistic Studies).

The presentation Giro Giro Tondo by artist Diego Cibelli.

The dialogue La ceramica patrimonio immateriale tra storia, innovazione e formazione with Paola D’alconzo, Diego Cibelli and Valter Luca De Bartolomeis (Headmaster Polo delle Arti Caselli Palizzi of Naples).

Through an open dialogue, the intervention aims to analyse some possible interactions between the monuments, the city and its inhabitants, using a multidisciplinary approach, starting from the project Atlas of Bodies (2019-in-progress) that the artist Simona Da Pozzo is conducting on the Corpo di Napoli monument.

The starting point is the reconstruction of the artistic, social and anthropological history of the statue from the Alexandrian age, the interpretations attributed to it over time and its relationship with the urbe, which has changed over the centuries. A ‘palimpsest of compositional experiences’, as has been said (Middione, 1993), but also human and social.

From the investigation of the past, one arrives at the work in progress Atlas dei Corpi: a context-specific workshop open to the public and realised in several moments in which a new ‘alliance’ with the statue of the Nile is sought. The artist comes into contact with the possible interpretations of the monument, both the historical and already consolidated ones and the most current beliefs, for a stratified and polycentric narration, which denies any hierarchy and renews the relationship with the public space through participatory practices.

What is the possible relationship between cultural heritage and everyday life? Is it possible to rethink urban space through the artistic dimension?

How to preserve the memory of this kind of inarchivable practice in a systematic way?

The conversation between the artist and the art historians aims to seek, also through an exchange with the public, possible answers to still open questions, in the encounter between theory and artistic practice, between history and production, material and immaterial.

Reservations here on eventbrite